After something so Heavy as Slayer is Why can not return to basics? Slightly more pop and by a request, I will. The music as it is (believe it or not) mark times in our lives, many of them with indelible memories. One of them is probably my adolescence, with a myriad of changes and perhaps the brain a sponge, literally, since at that stage absorb everything in this case talking specifically about music, not necessarily bad, so here are the All Saints, maybe it´s a step that would remove, but can not because it is a step that complements me. Those unfamiliar with pop music would be forgiven for confusing All Saints with another hotly tipped music property, the Spice Girls. The four members of All Saints could have stood for Spice Girls body doubles in a lineup: two brunettes, one blonde, and one of West Indian descent. While the Spice Girls were always pure pop and barely musically functional, the members of All Saints, however, were songwriters and music aficionados with a softer, more intelligent image less tied to their looks than their music.
The group came together in 1993 when Melanie Blatt and Shaznay Lewis began recording and writing at a studio on All Saints Road, in London's Ladbroke Grove. The duo hooked up with R&B vocalist Simone Rainford and released a single for ZTT Records in 1995, then parted ways with Rainford and were dumped by the label. Undeterred, Blatt and Lewis recruited native Canadian Nicole Appleton and, later, her big sister Natalie, to make All Saints a quartet.
With the help of friend Karl Gordon (formerly part of the British rap ensemble Outlaw Posse), All Saints recorded a demo of the song "I Know Where It's At." New manager John Benson signed the girls to London Records and connected them with top-flight producers Nellee Hooper (Massive Attack, Björk) and Cameron McVey (Neneh Cherry). Fully recorded, "I Know Where It's At" hit number four on the British charts and crossed over throughout Europe and Asia.
By 1997, All Saints had reached the top spot with their second single, "Never Ever." The quartet released their self-titled debut album in November 1997, and began to grow in America as well, hitting the Top 40 with "I Know Where It's At." By 1998, All Saints was certified platinum in the U.S. and five-times platinum in the U.K., but rumors of split between the group started to brew. Melanie Blatt was expecting her first child with Jamiroquai's Stuart Zender and gossip claimed she was leaving All Saints. Nicole Appleton was also rumored to have walked out of the band after the group failed to show up for the Smash Hits Poll Winners' celebration that year.
In early 2000, their William Orbit-produced single "Pure Shores" was included on the soundtrack to the Leonardo DiCaprio film, The Beach. Countless festival shows across the U.K. also redefined All Saints' staying power despite their shaky unit. The long-awaited sophomore effort, Saints & Sinners, was finally issued in October 2000, boosting second single "Black Coffee" into the charts, but still, trouble loomed ahead. By the start of 2001, tours of Japan and Australia were canceled. Jealousy was the culprit, for Lewis and Blatt were ill-disposed of the Appleton sisters' celebrity status, especially Natalie's relationship with the Prodigy's Liam Howlett and Nicole's with Oasis mad man Liam Gallagher. In February 2001, the split was finalized. Blatt released her first single, "Twentyfourseven," in the summer and Shaznay Lewis was writing with All Saints producer K Gee. The Appletons were cutting material as well as making plans for a tell-all book. All Hits, a greatest-hits collection of singles and a limited-edition DVD, was issued in fall 2001, marking the bitter end for the All Saints.
01. "Never Ever"
02. "Bootie Call"
03. "I Know Where It's At"
04. "Under the Bridge"
05. "Heaven"
06. "Alone"
07. "If You Want to Party (I Found Lovin')"
08. "Trapped"
09. "Beg"
10. "Lady Marmalade"
11. "Take the Key"
12. "War of Nerves"
All Saints ♪♫
2 comentarios:
I think you're right, there are certain moments in life that are worth remembering, starting in my case is not so much music, but in your case it shall speak, after all what would a life without memories and episodes? I think the same way some stage I framework no doubt was, the stage between 1997 and 2005. There was definitely good music and good times. All Saints to me represents a stage in which you worked with your uncle in his business, and when I was gonna to help you, well more than it helps; company, and I remember that used to make good music in Alfa Radio, not like now, even the I still listen online, but it is not the same as before. Well, returning to the subject, in those days used to leave that song (Black Coffee) do not know what framing those times was a very special atmosphere, maybe my words are short to describe it, but still freeze me the skin to remember that times. The melody is very good because it hooks you from start to an end, perhaps one that is very good is the Lady Marmelade, which later would be a terrible cover by the Sisters of Moulin Rouge, but no doubt still remember your aunt at their stage of misdirecting (Have you noticed how life changes?) and once brought home a disc from the saga Now, I do not remember clearly that Vol was, but its content was that song and when did we hear the most sticky, the extent of wanting to imitate them ha ha ha, go those times. That's how I remember at All Saints in my time.
Muy buen comentario yo tambien creo que la musica marca etapas en la vida y bueno creo que en mi caso tal vez seria un lado obscuro de mi vida no lo se tal vez escuchando la musica de ese entonces como las spice girls m2m y exactamente de esa epoca bueno tal vz y por que somos de la misma "edad" y lo pongo entre comillas por que tal vez por que en algun momento de mi vida me perdi y ya no madure tanto como ustedes 2
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